Posts Tagged 'Boston'

Reflections from San Diego and Los Angeles

In mid-December, I spent some time in San Diego and LA, visiting schools and speaking with educators. One of the most gratifying parts of this trip was reconnecting with a former graduate student of mine from the first year I ever taught my class, “Building A Democratic School” at Harvard. Agustin Vecino now works for the Center for Collaborative Education (CCE) in Los Angeles as a coach for the pilot schools. He and Rachel Bonkovsky (a former Boston principal), along with George Simpson and Assistant Principal Cara Livermore (formerly of BAA and now of the Los Angeles County High School for the Arts (LACHSA)) arranged all of my stops on the trip.

San Diego School for Creative and Performing Arts (SDSCPA)

Principal Mitzi Lizarraga showed me around her school (http://www.sandi.net/scpa) of 1400 students in grades 6-12. Entrance to the middle school is lottery based, and high school admission is through audition. The motto of the school is, “Where arts and academics share center stage.” Mitzi shared that her charge is to intensify the arts experiences and exposure of her students; she also must raise funds for much needed arts residencies and adjunct teachers. [Note: SDSCPA vocal arts major Victoria Matthews recently received a 2012 YoungArts Merit Award in Voice- congratulations to Victoria and to SDSCPA!]

Like many schools in San Diego, the campus seemed quite sprawling to my urban Northeastern eyes!

On this lucky day for me, choreographer and dance professor Donald McKayle was in residence to audition students for his piece “House of Tears,” based on the “desaparecidos” from Argentina. The high school dancers crowded onto the dance studio floor and listened with rapt attention to McKayle. He spoke about his experiences in Buenos Aires watching the “madres de los desaparecidos” march around the Plaza Mayor with photographs of their disappeared children, who had been murdered or stolen by the junta.

SDSCPA dancers

Los Angeles County High School for the Arts (LACHSA)

From San Diego, I headed for Los Angeles and LACHSA, where George Simpson is principal. (George was formerly the director of music at BAA!)  The same excitement I felt at San Diego’s school was evident here. Students were hanging a juried show about Arts and Engagement in the visual arts wing. Music students had just finished their jazz series. Theatre students had just done “Preview Night,” which is like our informal showing at BAA. Dancers were gearing up for their winter performances. Exhaustion and elation were on everyone’s faces. “Passion with balance” seemed in short supply.

LACHSA is located on the CalState LA campus. Also on the campus are the LA Principal Residency Network and the LA Urban Teacher Residency program. (These are both programs of the Center for Collaborative Education (CCE), an organization that I co-founded with Larry Myatt in Boston over fifteen years ago.) George had organized an event for me at CalState called “Transformative Leadership,” where I talked with members of both networks as well as other educators from surrounding schools and not-for-profits. We shared ideas about our perspective realities and reacquainted ourselves with the Coalition of Essential Schools (CES) 10 common principles, considering where we did/didn’t see these principles in our work.

George Simpson, Agustin Vecino, Carolyn McNight, Debbie Thompson

East Los Angeles Performing Arts Academy

The next day, I visited the East LA Performing Acts Academy, headed by Principal Carolyn McKnight. The faculty of this pilot school was joined by the Humanitas Academy of Arts and Technology faculty and principal Debbie Thompson, as well as district folks and a superintendent. Both of these schools have converted to pilot status in the past two years. Later I met with the faculty and principal Rosie Martinez from the Academic Leadership Community (ALC), another pilot school in the throes of trying to attain the autonomies that are promised to Pilot Schools (much like those of charter schools), which include: budget, governance, curriculum and assessment, hiring and scheduling, and calendar.

The theme for all three pilot schools was the autonomies and how to ensure they were being met. These are familiar themes for us in Boston. While districts, especially urban districts, are often initially open to pilot schools, the intricacies of actually devolving power and control away from central office and central mandates and into the hands of principals and teachers is always more challenging. If LA and Boston could do more collaborative work, we might strengthen all of our schools and create a system of trust around pilot schools.

UCLA

From ALC I traveled to UCLA’s Graduate School of Education and Information Studies to give a talk to their Teacher Education Program and Principal Leadership Institute. A lively group of about 30 of us talked about what makes good schools, how the CES principles can help guide schools, and the struggles of each of us in sustaining good schools.

In this whirlwind tour of schools, talks, and intense conversations with committed educators, I came away grateful for the opportunity to learn from educators on the other side of the country. I reconnected with friends and re-charged myself to return to the work we are doing in Boston and beyond.

Celebrando a Margarita Muñiz

In November 2009, I had the privilege of attending the Thanksgiving play at the Rafael Hernandez School, a bilingual elementary school in Roxbury where Margarita Muñiz was the principal. This annual musical is a long standing tradition, and in 2009, the play was about Margarita’s life, travels and journeys as an educator in the Boston Public Schools.

The play chronicled her departure from Cuba as a young girl as part of the Pedro Pan (Peter Pan) children, her landing in an orphanage in Louisiana, her eventual reunion with her parents, her graduation from college, the beginning of her career as a teacher in the Boston Public Schools, and finally her directorship of the Hernandez school. It also included wildly funny times with all of us in South Africa and Zimbabwe.

It was magnificent to watch the total enjoyment on the faces of the students, from kindergarteners to eighth graders, as they played different aspects of the life of their world-traveled principal. Whether it was struggling to learn English in the orphanage, learning how to order food in Japan, or running from elephants in Zimbabwe, the children danced and sang their way through the script, both poking fun at Margarita’s demands during her travels and demonstrating compassion and understanding for the many cultures and countries she visited.

Besides the outstanding performances of the students who played Margarita, two things stood out for me: 1. the incredible love and devotion that Margarita’s students and staff had towards her, and 2. how the play demonstrated Margarita’s deeply rooted beliefs in education: that all children can reach high levels of literacy, that the arts are essential for a good education, and that family involvement is key for a positive school climate.

When I think about her beliefs (and mine) about what makes a good school, I will think of the Hernandez. This play was a wonderful tribute to Margarita, but more importantly, it was a tribute to the hard work of fantastic teachers, families, and students. I was proud to be involved in some small way.

Margarita Muñiz died on Friday, November 18, 2011. Just that Tuesday, Boston Public Schools announced the September 2012 opening of the first dual language high school- Margarita Muñiz Academy (MMA). It will be led by Dania Vazquez, who coached principals and school change teams for many years at the Center for Collaborative Education (CCE).

Margarita was one of the most compassionate, dedicated and insightful educators whom I have ever known, and I am grateful for her friendship and guidance. We realized somewhere in Zimbabwe on our Barr Fellows trip that we both shared a love for the same 19th century Spanish poet, Antonio Machado. This verse – one of our favorites – sums up much of who Margarita was:

Caminante,

No hay camino

Se hace el camino al andar

My clunky translation:

Traveler,

There is no path

We make the path by walking.

Margarita made new paths each and every day and I hope to honor her memory by doing the same. Margarita, te quiero mucho.

http://www.bostonglobe.com/metro/2011/11/20/legacy-excellence/NOJyhTEzfdr5ITGWUjj3NN/story.html  by Yvonne Abraham

http://www.huffingtonpost.com/meg-campbell/what-i-owe-margarita-muni_b_1098489.html  by Meg Campbell

Celebrating Vito

On Saturday, December 3, we gathered in the assembly hall of Boston Arts Academy/Fenway High School to celebrate Vito Perrone, who passed away in August. It was fitting that we gathered in this space, since Vito cared passionately about schools.

I was so pleased that some of my students could be there for the occasion. They served as ambassadors, hanging coats and giving tours of BAA, but I believe that they also learned something about this great man and his staunch belief that schools could and would be better, and that students deserved to be actively engaged in all classrooms and with all teachers.

Sunny Pai, a founding BAA faculty member and Fenway student teacher and now a Program Director at an alternative program at Charlestown High School in Boston, read from a 1998 letter that Vito had written to his students in Harvard’s teacher education program as they were ending their student teaching. Vito wrote, “…I hope you were able to understand that… adolescents and young adults… can be powerful learners. They can be responsible. They can be active participants in their communities. They can be serious about their physical well being, friends to those younger and older, humane and committed in their relationships. They can be serious readers and writers, and thinkers, persons capable of changing the world. We can’t ever afford to see them as less, even as they often try to convince us that the less is all there is, even as they sometimes content they don’t care about anything that connects with our interests as teachers. Our ongoing task is to see and work from whatever strengths they bring forward, even if that strength is mostly resistance.” I watched my students nod their heads in agreement to these words.

It was a virtual brain trust in the room as Jay Featherstone showed a video from the North Dakota Study Group of Vito speaking in 2000. Jay gave historical context to Vito’s words, and Deborah Meier, George Heins, Ann Cook, Eleanor Duckworth, Larry Myatt and many others shared stories, readings and memories. I was happy to hear some of the younger educators in the room asking those in retirement to keep fighting for more equitable schools.

Two of Vito’s grown children and their spouses as well as two grandchildren and Vito’s widow all were able to attend. I believe that they, like all of us, appreciated the opportunity to learn more about this amazing man… this “teacher with a heart,” which is the title of one of his books.

I can still hear Vito’s voice in my head as he talks about schools with larger purposes and generative questions—both Vito terms. I hear him remind me to keep asking those hard questions and to keep studying history so we can make intelligent connections to what has come before us. I appreciate knowing, as he said in the video, that there are more good schools now than in the 1970s. Sometimes when we are in the thick of it, we forget that.

Thank you to all who joined in this celebration of Vito. I know Vito would have enjoyed being with us.

Vito Perrone group image

"Reading Vito" attendees- an amazing group of educators, friends, and family.

Coalition of Essential Schools Fall Forum

Last Saturday, a group of BAA students performed for the closing session of the CES Fall Forum in Providence, RI. These students created a unique performance piece combining music, visual arts, spoken word, theatre and digital media. Participants were Althea Bennett (VA), Ashleigh Brown-Fuller (vocal), Gary Gonzalez (theatre), Justin Hynes-Bruell (instrumental), Janibell Santana (theatre) and Daniel Whitelock (instrumental).

Their original interdisciplinary piece, Listen!, wrestles with the tension between the power of the young artist’s voice and adults’ tendency to put it on “mute” in order to fit a prescribed vision of who and how young people should be.  After the performance, students discussed the piece, their creative process and how it reflects their experience at Boston Arts Academy.

Our librarian, Debbie Froggatt, commented in her reflection on the session, “The power of student voice! Honest, thoughtful and commanding… Their artistic piece moved and provoked us to ponder how we are listening to our students. Are we really in conversation with them? Who are their authentic selves and what are their internal struggles?”

Our work is hard, but I always feel energized and inspired when when I see my students come alive through their art… I feel recommitted to making the world WORK better for these talented and thoughtful young voices!

Congratulations to CES on another powerful Fall Forum!

The CES Board: myself, Debbie Meier, Misha Lesley, Jill Davidson, and George Wood (missing: Nancy Gutierrez) giving Jill a gift for serving CES so well for so long as we hired a new director, Elizabeth Jardine

Visiting with Julian Schnabel

A school leader’s primary function is to ensure that teachers can teach to their fullest and best.  Much of the mundane naturally falls on a school leader: clearing hallways, doing lunch duty, meeting with upset parents or irate students, making sure a broken toilet is fixed or that a light bulb stops its annoying flicker.

Of course, other parts to the job are completely engaging: observing a great class and debriefing afterwards with the teacher about what made the lesson sing. Even the opposite still captivates me: observing a not-so-great lesson and discussing what could improve.  The ultimate moments of my job come when I have the rare opportunity to be with my students (and teachers) when they have a transformational experience.

A few weeks ago, 20 students, three alumni and three teachers traveled from BAA to New York City to spend the morning with contemporary artist and film maker Julian Schnabel.  On the bus ride down, the students watched his latest film, “Miral,” and many of them knew something about his paintings or films. But none of us were prepared for the generous and genuine interest that he showed our young artists.

He shepherded us from the lobby, in which two enormous photos from Schnabel’s film “Before Night Falls” hang. The photos are dedicated to Sir Norman and Norman, respectively. Norman is Norman Rosenthal, married to Manuela Mena, both extraordinary art critics/historians and curators, and great friends. They originally introduced me to Schnabel. I was delighted by the inscriptions!

We couldn’t all fit in the freight elevator, so two trips got us up into one of his studios. A series of large paintings greeted us.  Schnabel gave us an okay to take photos or videos, but encouraged us to just absorb the experience and not get hung up on documenting it. He tried to learn everyone’s name during our 2½ hours together, and he did a superb job.

Schnabel

“Gary, what do you see?” he asked one student as we looked intently at a painting. I loved listening to the interchange between master painter and aspiring young artist. Schnabel explained that when people visit his galleries he sometimes likes to have just one painting on display. “If you have ten paintings then people will look at each one for one minute. If you have only one then they will look for ten minutes and really see. It’s important to really see what’s there.” My students nodded.  As we toured throughout the galleries and his palazzo (his great home) Schnabel returned to the theme of seeing. Again and again he engaged the students by asking, “What do you see?”  With each work he explained his own artistic process, as well as a story or fascination behind the painting. As one of my students reflected, “Thank you for sharing your work with us. Your mark-making knows no bounds.” I couldn’t agree more. Schnabel showed us how he attached a brush to a huge pole and painted. He explained how he painted with a tablecloth or another object. He captivated us with how he created each piece, especially what was purposeful and accidental. Another student said, “I love your painting methods and the space you work in. Your process is very unique and inspirational.”

Schnabel studio

While fascinated by the paintings, students were also enthralled by the entire aesthetic of the house. JJ couldn’t stop feeling the plush oriental rugs or craning her neck to look at the hand-blown chandeliers, some from Venice and dating back to the 1800s along with other replicas from that time period. Everyone stopped to stare at the stuffed bear and the bathtubs scattered in different rooms. In one room, Schnabel stopped to play a piano that had been created by the artist Tom Sachs and re-orchestrated with something that looked like a synthesizer.

Piano

The Tom Sachs piano

He tapped out a song and sang a few notes and then asked if anyone else played. Yoselin, one of our amazing alums, sat down and played. “Tell me the chords from the song you were just singing,” she said, “and I’ll play and you sing.”  The two of them did a little duet that ranked as one of the best moments in our teaching careers. To see our alum, our beautiful, talented, hard-working Yoselin, playing for Schnabel while he sang, brought us to tears. “We’ll have to practice more,” Schnabel smiled. He could not have known how special that moment was for all of us. He certainly could not have known the struggles Yoselin has endured to get where she is. She will never forget that moment, nor will any of us.

No question was off limits. “Why do you wear yellow glasses?” asked one young woman. “The world is pretty blue, don’t you think?” Schnabel queried. “It looks much better through this shade of yellow. Try them.” And Cami grinned in agreement as she donned Schnabel’s glasses.

We didn’t want to leave, and we all felt the same as Althea, who wrote, “I would be honored to be a fraction of an artist with your skill and mind. It was incredible meeting you.” And Taylor, another student, summed up the day perfectly: “I am very grateful that you put time aside from your schedule to welcome us BAA students into your home… You are the first contemporary artist I have met who works from their intuition rather than over thinking. I really like this artistic side of you because it makes your work speak for itself and leaves everyone to draw their own conclusions. I love your loose brush strokes. You have influenced me to get out of my comfort zone!”

Schnabel speaking to group

I am appreciative of our time with Schnabel, and even more appreciative and proud of my students and alums. They get how special it is to be at BAA. I am so grateful for the opportunity they gave me to spend a morning learning alongside them witnessing their delight and awe and curiosity. We were all transformed in both small and large ways. I can return to the mundane parts of my job with renewed energy and focus. Today was amazing.

Group photo 10.14.11

Our BAA students and alums!

Literature Circles

Each year as the school year opens, we begin as a community of readers. A few years ago, we borrowed an idea from Beverly High School to implement Literature Circles. Throughout the school year, teachers and students recommend books to our librarian, who then selects a variety of books for summer reading for students and faculty.

In September, we gather for two consecutive days in Literature Circles, grouped not by grade or arts major, but by the books we read. Last year, we piloted Literature Circles co-lead by a teacher and a student, and it was so successful that the number of students who volunteered doubled this year.

All Literature Circles involve talking about books- where we as readers connected to plot, character, events, etc. Each faculty member leads the group a little differently, but it is amazing to walk around the school, look into any room, and see everyone doing the same thing at the same time: discussing, analyzing, and connecting to literature.

Mandell

Math faculty Tess Mandell - "Keesha's House"

Wallace

Math faculty Cassie Wallace- "The Hunger Games"

Holt

Music faculty Greg Holt- "American Born Chinese"

Some books are graphic novels; others, non-fiction; others, long poems. The important part is that we are building community and excitement (among students AND among teachers!) as we talk about books, sometimes wearing down the tough shell that some students have about reading. We want all our students and faculty to feel the freedom of reading for pleasure and sharing that joy with others.

Nathan

Jones

Music faculty Allyssa Jones- "The Help"

I am interested to hear how other schools think about literacy and/or building community, perhaps through a different kind of whole-school initiative. What summer reading books have been successful at your school?

The Art of Leadership

I wrote The Art of Leadership for the American School Board Journal in June 2011… it’s also posted on the Publications tab of my blog. Comments are welcome!

Educational Disparity and Minority Youth Symposium

Last Friday, I traveled to Connecticut with BAA theatre teacher Juanita Rodrigues and five of our theatre students for the Educational Disparity and Minority Youth symposium, presented by Quinnipiac University School of Law and Yale Law School. I was invited to speak at the conference by Marilyn Ford, a law professor at Quinnipiac, who I learned is called “Hurricane Marilyn” – for good reason! I was blown away by the convening she pulled together – panelists ranged from the co-founder of Essence Magazine to Carlotta Walls Lanier of The Little Rock Nine to athlete Marion Jones!

Our students performed a piece called “Perceptions,” dealing with race and stereotypes,  in front of the entire 1,000 person audience – in a sports arena! – and got a very positive response.

Student performers

Byron Rodriguez, Penelope Delarosa, Deaundre Price, Molly Pope, and Danielle Christian. Photo by John Hassett

Take a bow

Take a bow!

But their favorite part of the conference (and mine!) was the panel and performance by First Wave, an organization that brings together young artists from across the country to learn together in a “spoken word and hop-hop arts learning community.” They were amazing speakers and performers and exemplified a level of professionalism to which our students could aspire.

Watching First Wave performance

Mesmorized by First Wave performers

We also had the opportunity to have dinner and a tour of Yale University with Seth Bodie, a former BAA teacher and current Yale student in the design program. We were joined by two members of the Yale a cappella group “Shades,” which comes to BAA every year to perform for our music students.

Shades

BAA students and Seth Bodie with 2 members of "Shades"

We had a wonderful time- thanks again to Quinnipiac Law School, Yale Law School and Marilyn Ford for getting together so many amazing groups and speakers to discuss the educational and racial disparities that we work to address every day at BAA.

Summer Reading

Beacon Press (the publisher of my book, The Hardest Questions Aren’t on the Test) put together a great blog that compiles the summer reading lists of education authors. Click here to see what books I enjoyed this summer (many of which are from Boston Arts Academy’s summer reading list!)

In talking about my summer reading, I also describe my dear friend and mentor, Vito Perrone, who passed away this August. The Coalition of Essential Schools posted this tribute to Vito’s life and legacy. Vito was a true inspiration to me and I will miss him more than words can say. I highly recommend reading his books A Letter to Teachers and Teacher with a Heart to inspire your practice of teaching and learning.

Small Schools Leadership in Oregon

How can we prevent districts and school systems from reverting to the status quo? How can we encourage schools and school systems to truly innovate and to withstand the pressure of being sucked back to a laissez-faire time? How can we be unionized and have the protection of salary and benefits but not have “bumping”?

These were some of the questions that faced me this past week as I participated in the Oregon Small Schools Leadership Institute. I was the keynote speaker at the opening of the Institute and I titled my remarks, “Keeping the Vision in Tough Times.”

What an amazing group of educators!

For the past seven years Boston Arts Academy has had the privilege of working with schools and school districts in Oregon that have believed breaking up large high schools into smaller schools and creating new “start up” schools could dramatically increase academic achievement, especially among poor students and students of color. The data seven years later is very strong, but the pressure to return to the “good old days” of large high schools, with many electives, and the rule of advanced placement courses has continually threatened to turn back the clock for these forward-looking educators.

The small schools initiative, like so many others around the country, was spurred on by an influx, even an outpouring, of support from the Gates Foundation. Soon, however, that money dried up. The miracle of Oregon is that others stepped in to sustain the work. Most notably, those others are Duncan Wyse of the Oregon Business Council and Barbara Gibbs of the Meyer Memorial Trust. For the last three years, together with the recent leadership of Kathy Campobasso, they have forged a network of educators (principals, teachers, school board members and superintendents) determined to create a different paradigm about what education can be.

There are currently 34 small schools created through the Oregon Small Schools Initiative. I visited two of these high schools in Southern Oregon – South Medford HS in Medford and the Crater Campus in Central Point. South Medford – which just built a state-of-the-art high school that gave me terrible edifice envy – is comprised of four small schools: Freshman Academy, Discovery, Champs (Community Health and Medical Professional School) and BACH (Bridging Arts, Community and Humanities).

I had the chance to sit in on the BACH teachers’ weekly planning meeting, during which they discuss their students (there are 400 in each school), projects that students are engaging in, and ways to create more opportunities for interdisciplinary teaching and learning. Like schools in so many states, the teachers are up against the constraints of high stakes testing. “How can we really create interdisciplinary curriculum when students will be tested on just history or just English?” a history teacher asked me. “It feels like the country is conspiring against us. We want to create more engaging curriculum but today’s classrooms seem all about just passing tests,” a math teacher told me. “I know my kids need the basics, but I so wish I could teach in a way that my kids need—and not just about bubble tests. Math is also about discovery—about process—not just right answers. I didn’t go into teaching to be an automoton!” And yet, classes have nearly stopped in South Medford as students prepare for the Oregon State tests.

Teachers and administrators agree that testing has shone a light on how all students are doing, especially the most vulnerable ones, and this has been a positive. There is no way to hide the scores of special education kids, English Language Learners, or poor kids. That is a good thing, but the pendulum needs to swing back a little so that not everything about school is geared towards tests. Learning is larger than testing. Teachers are looking for multiple indicators to demonstrate how students are learning. The Oregon Business Council has been working to develop and advocate for these other learning indicators – such as attendance, senior projects, number of community college, arts, and other co-curricular classes taken, and college admissions and retention rates – to supplement the information obtained from standardized state tests.

Along with the issue of testing, educators at the small schools are also concerned that just as they begin to get the kids and teachers on board with the idea of small schools, it seems like educational policies and regulations conspire to pull them back to the status quo. As I sat in on the administrative team meeting that brings together all the small schools administrators on campus, staff lamented that, “We have data to show how kids are achieving better in small schools and how relationships between faculty and students are growing, but there is such pressure to just do what has always been done—Carnegie units [counting credits and hours], tracked classes, academics around sports schedules, etc…”

Sadly, throughout the country, the pressure to return to large schools continues—just look at what is going on in Boston with the closing of small schools! Yet, one hopes that Oregon will buck the trend and recognize that small schools really do enable higher high school graduation rates and higher college admission and retention rates. In fact, a recent study by EcoNorthwest concluded, “We have no evidence to suggest that operating an OSSI (Oregon Small School Initiative) model school, once implemented, necessarily costs significantly more per student than a traditional comprehensive high school.” The report when on to say, “If a model OSSI school can, for example, boost graduation rates by three or four percentage points, as have the Wave 1 and Wave 3 schools, the model becomes less costly to operate on a per graduate basis than a traditional high school costs.”

At the Crater Campus, the Coalition of Essential Schools principles hung in the hallways of the three small schools I visited: Renaissance Academy (the most CES-identified), CAHPS (Crater Academy of Health and Public Service) and BIS (Business, Innovation, and Science). I didn’t get to visit CANS (Crater Academy for Natural Science), as it’s closing due to budget constraints. The CAHPS administrator, Julie Howland, told me that while she hadn’t finished my book, she greatly believed in the importance of a framework, or grounding philosophy, for her school. She proudly showed me a document that they had just finished which identified the Habits of Mind for her school, the traits or values that she wanted her students to possess – such as being respectful, civic-minded, and critical leaders – and the strategies that they hoped to use to “get there.” The list included Socratic seminars, advisory, etc… Julie explained that she wanted me to do a brief walk-through of classrooms with a few of her teachers and some representatives from the district office to see if we saw evidence of these habits, traits, or strategies. She also wanted help in bringing her faculty together to encourage them to engage in hard questions about teaching and learning. 

In a 20 minute walkthrough it’s nearly impossible to ascertain much more than whether there is chaos or a sense of purpose in classrooms and whether or not students are engaged and teachers focused. When we sat down after the whirlwind visit to AP Psychology, Digital Media, Health and a few other classes, I refrained from making any judgments about what I’d seen; rather, I asked the team what they had seen. Some were quick to critique and wondered about whether the classes were rigorous enough; others mentioned the difficulty of getting all the faculty on the same page regarding beliefs about their students. Later, it came out that many of the CAHPS faculty had been most resistant to the break up of the large high school, and that many faculty still feel that students are losing out. Julie is the 2rd principal in 3 years and she believes in the model but feels like she is fighting an uphill battle with how to get buy-in from all her teachers.

The mood and the classrooms were quite different in the other two schools where there hasn’t been a fight for buy-in. The conversations at both BIS and Renaissance were more about doing a better job recruiting from the two middle schools and getting the community at large to buy into the idea that small, themed schools do not limit opportunities for kids, but rather, that they give students a chance to identify with a certain style of learning and approach to teaching. For example, at Renaissance, students all take a core English/History course in a double period. (One of the fascinating things that Renaissance principal Bob King did was to encourage arts teachers to become dual certified in English and History in order to teach this core class.) At the 10th and 11th grade level, students loop for two years with the same teacher and each section has a particular arts focus such as Photography, Digital Media, Drawing, Painting, 3D, Music, etc… and the students use this art form to express their academic learning. This core teacher is also their advisor so that students (and teacher) are together for almost three hours daily. While some might say this is too much time with one group of kids and one adult, the teachers and the students appreciate the close intellectual relationship, risk-taking and career and college guidance that ensues. And for teachers, it means that they are only teaching 50 students a day. This class is also where faculty can focus on their instructional strategies together.

By creating this innovative structure for English/History/Advisory, faculty and students feel that they have prevented kids from checking out. “This is a school and a class that requires you to be engaged,” said one staff member. Students agreed. “We have a lot of say over how we want to learn. I’ve really liked learning photography at the same time as I’m exploring ancient mythology and reading Ramayama in my English/History class.” I asked what happened if students didn’t get their first choice of “lens”—i.e. music and not drawing/painting – but the administrator explained that this rarely happens, and if it does, students are usually willing to try out the class.

Another impressive feature of Renaissance is the way second languages are taught—both ESL for non-native speakers and Spanish as a World Language. There is a conscious attempt to push students to use the language orally and to become comfortable, versatile speakers. In the Spanish class, all furniture is pushed against the walls and students learn by standing and moving about the room. The teacher, Darcy Rogers, has coined this approach, “Organic Language Acquisition.” I didn’t want to leave her classroom and promised to introduce her to every language teacher I know since her approach was so innovative and appealing to me. “I don’t want students hiding behind their desks. Speaking a foreign language is all about taking risks and putting yourself out there and too often students just want to receive the lesson and not give themselves to the lesson.” She explained that after the initial shock of standing for 80 minutes, students truly enjoy the kinesthetic approach to learning. (And Darcy admitted sometimes they do pull chairs together to work in small groups.)

At the BIS school, which emphasizes learning through entrepreneurship, the first thing that greets a visitor is a huge jigsaw puzzle map of the United States showing where all the BIS alumni have gone to college. There are pegs pushed into the map with the college logo emblazoned. As Principal Todd Bennett explained, most students and parents in his community don’t really see college as an option, or even as necessary, so it continues to be an uphill battle.

Todd also talked with me about buy-in issues; he wants more of his classes to be project-based, but talked about the pull of the status quo and how hard it is to get teachers, students, and families to buy in to the fact that by doing and making you can definitely learn, and learn more. Todd took me into airplane-hanger-like classrooms where student work from engineering, English and math classes hung on the walls. He showed me the shops that all students can use for their projects and when I told him that his spaces reminded me of High Tech HS he grinned happily and said, “I’ve taken almost every teacher to visit there. That school is our inspiration!” One of the coolest examples of a project that students are working on is the creation of small wooden toys in a Spanish class. They are learning the Spanish vocabulary for the toys and then the engineering concepts of prototyping, designing, researching, building, etc. The BIS framework is expressed by the process of Problem Solving, Communication, and Teamwork.

While I saw wonderful classrooms, dedicated teachers and administrators, and hardworking kids at all the schools I visited in Oregon, I worried along with the administrators and teachers there about the pull back to the status quo—to the image that so many of us have in our minds about what the American HS is supposed to be like. Each of these small schools has worked on the development of a positive school culture; each is working on ensuring that all students, regardless of socio-economic level, race, language of origin, even sexual preference (which is a hard issue to discuss in deeply conservative Southern Oregon), will have the opportunity to succeed in high school and beyond. But the pulls to keep things the way they’ve always been; to just shut the classroom door and teach as an isolated, not collaborative, journey; and the pressure to perform on standardized tests all conspire to destroy the work of this 7-year initiative.

Perhaps the most plaintive call came from teachers, who said, “We’d give up seniority to be able to have some stability in our small school.” “Just as we begin to develop a culture among the staff, the budget crashes and we have to start again with all new colleagues. It’s just not fair. We need a different kind of unionism.” Again and again we asked one another, “How can we rethink our systems and have the chance and the time to make those differences take root and take effect?” I remain hopeful about what I saw in Southern Oregon. There is a recognition that the system is outmoded and must be changed.

However, when I traveled briefly to Portland, I was horrified by what had transpired there. How is it possible in a city with 45% kids of color that there is a high school (Lincoln HS – which is not part of the Oregon Small Schools Initiative) that is 98% white kids? How is it possible that the district has allowed this to occur? Where is the lawsuit? Evidently, Stand For Children is strong in Portland, and parents and teachers told me quietly that they hope Stand will take on both the District and the Union to save their schools.

As I left Oregon, I wondered about what a new Sizer et. al. five year study would show. Would the results be any different than when Sizer wrote his seminal book in the early 80s (Horace’s Compromise), based on the five-year study of high schools he and his colleagues had conducted? Have we been able to redesign the way we do education? Certainly, that has been the hope of Charter schools, but as many Oregonians told me, they don’t want to have to give up hard-fought wages and benefits to convert to Charter schools. (Charters, as a rule, pay much lower salaries and give much poorer benefits).

I want to believe in the durability of the changes that I saw in Oregon. I want to believe that systems can innovate. I want to believe that we can professionalize teaching by protecting salaries and benefits and creating a new kind of unionism. I want to believe, as the students and teachers I met believe, that these small schools are not just a blip on the screen, but a new way of approaching education and doing what’s right for kids.

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